Research on Bertold Hummel's work
Musicological research into Bertold Hummel's work is currently limited to a few studies and offers those interested a wide field of activity.
The Bertold Hummel Foundation would like to encourage ambitious scholars to study the composer's life and work and is prepared to award scholarships for doctoral theses.
The composer's estate is held in the music collection of the Bavarian State Library in Munich. The original scores can be viewed there for research purposes.
Alasdair Terkatz-Cameron: Bertold Hummel and Gebrauchsmusik for the liturgy. (in: Cultural Memory and the Singbewegung in Pre- and Postwar Germany), PhD, King’s College London 2021, pp. 180–190
Martin Schiessler: The Würzburg Studio for New Music – A Study of its History from 1958 to 1988. Master’s thesis in the subject of Music Teaching submitted to the Würzburg University of Music on 4 June 2012
Heidi Ilgenfritz: Analysis of Bertold Hummel’s ‘Fantasia Poetica’, Op. 101b, for hammered dulcimer and viola. Thesis submitted to Nuremberg-Augsburg University of Applied Sciences via the Richard Strauss Conservatoire, Munich, 8 July 2002
Norbert Huber: The organ works of Bertold Hummel. Thesis submitted to the Richard Strauss Conservatoire, Munich, academic year 1996/1997
Franzpeter Messmer: ‘Does it all fit together somehow? – Horst Lohse in conversation with Hanspeter Messmer.’ (in: Composers in Bavaria, Volume 69: Horst Lohse), Allitera Verlag, Munich 2023, p. 22 ff.
Christoph Henzel and Steffen Zeller (eds.): The Würzburg Association of Composers – Commemorative volume marking its 100th anniversary. Königshausen & Neumann, Würzburg 2011
Ulrich Konrad: Church Music and Sacred Music as Concept and Reality. (in: Dieter Kirsch / Ulrich Konrad (eds.): Church Music in the Diocese of Würzburg – Studies and Sources from the 16th to the 20th Century, Würzburg 2010, pp. 22*, 23, 26, 30*
Christoph Beck: *Haec est alma dies*. St Kilian in the Liturgy under Julius Echter. (in: Dieter Kirsch / Ulrich Konrad (eds.): Church Music in the Diocese of Würzburg – Studies and Sources from the 16th to the 20th Century), Würzburg 2010, p. 66
Siegfried Koesler: Cathedral Music in Würzburg in the First Two-Thirds of the 20th Century. (in: Dieter Kirsch / Ulrich Konrad (eds.): Church Music in the Diocese of Würzburg – Studies and Sources from the 16th to the 20th Century), Würzburg 2010, pp. 278, 279, 280*, 288, 306, 309, 324
Susanne Farwick: Studies on Contemporary Music for Solo Flute in the Second Half of the 20th Century. Peter Lang Internationaler Verlag der Wissenschaften, Frankfurt am Main 2009, pp. 272–273
Ulrich Wagner: The City of Würzburg’s Cultural Prizes. 1965–2007, Würzburg 2007, p. 28
Peter Rau: Kurt Heynicke – The Life of a Poet in Merzhausen 1043–1985. Merzhausen 2007, pp. 17–18
Wolfgang Osthoff: Bertold Hummel’s final song cycle ‘Kopflos’. (in: Music from a Free Spirit in the Twentieth Century – Texts 1966–2006, ed. Petra Weber-Bockholdt). Tutzing 2007
Marius Schwemmer: A Short Compendium of Church Music. Tectum Verlag, Marburg 2006, pp. 39ff
James H. Laster: Catalogue of Music for Organ and Instruments. Oxford 2005
Paul Werner Scheele: In memoriam Bertold Hummel, In Praise of Music and Musicians. Echter, Würzburg 2005
Reclam’s Chamber Music Guide (ed. Arnold Werner-Jensen), 13th updated and expanded edition, Stuttgart 2005, p. 958
Wolfgang Osthoff: Bertold Hummel’s final song cycle ‘Kopflos’. *Musik in Bayern* 65/66, 2004
*Musik in Geschichte und Gegenwart*, 2nd revised edition, Vol. 9, col. 500, Kassel et al., 2003
Heidrun Miller: Friedrich Zehm – Composer between Tradition and Modernity. Are Edition, Mainz 2003, pp. 5, 9, 15–18, 21, 35, 37, 61, 65, 165, 250, 254, 261, 279, 294, 305, 327, 336.
Hans Ulrich Engelmann: The Past in the Present – Memories and Thoughts of a Composer. Darmstadt 2001, pp. 141, 229, 230
Klaus Beckmann: Repertory of Organ Music 1150–1992. Schott, Mainz, 1999, p. 301
Peter Hollfelder: International Chronological Encyclopaedia of Piano Music. Wilhelmshaven 1999, p. 182
Klaus Hinrich Stahmer: Chamber Music as a Personal Statement. Composers in Bavaria, Volume 31: Bertold Hummel, Tutzing, 1998
Franz A. Stein: Bertold Hummel’s Church Music. Composers in Bavaria, Volume 31: Bertold Hummel, Tutzing, 1998
Siegfried Fink: Sound and Timing – Bertold Hummel’s Works for Percussion. Composers in Bavaria, Volume 31: Bertold Hummel, Tutzing, 1998
Claus Kühnl: The Symphonic Works of Bertold Hummel. Composers in Bavaria, Volume 31: Bertold Hummel, Tutzing, 1998
Arthur Cohn: Literature for Chamber Music. Hinshaw Music, Chapel Hill, NC, 1997
Hans Maier: Eulogy for Bertold Hummel. Yearbook 11 of the Bavarian Academy of Fine Arts, Oreos Verlag, 1997, pp. 481–485
Lenz Meierott and Klaus Hinrich Stahmer (eds.): Music and Higher Education: 200 Years of Academic Music Education in Würzburg / Commemorative Publication 1997. University of Music, Würzburg, Würzburg: Könighausen and Neumann, 1997, ISBN 3-8260-1437-5, pp. 71–74
Dieter Kirsch, Volker Schütz: 200 Years of Academic Music Education in Würzburg. From the Collegium Musicum to the University of Music, Würzburg, 1997, p. 54.
Claus Kühnl: On the 70th Birthday of Bertold Hummel – Impromptu Speech. In: Bavarian Academy of Fine Arts Yearbook 10, Oreos Verlag Schaftlach, 1996, pp. 271–275
Renate Freyeisen: Crossing Boundaries – New Music in Würzburg. Würzburg Cultural Book (ed. V. Müller-Veith), Königshausen & Neumann, Würzburg 1992
Karl Schumann: On Bertold Hummel. Yearbook 5 of the Bavarian Academy of Fine Arts, Munich, 1991, pp. 246–250.
Hermann Müllich: Music Education and 20th-Century Music – An Analysis of Specific Research Findings. In: *Musik im Diskurs*, Vol. 9, Gustav Bosse Verlag, Regensburg 1991, pp. 45–68
D.M.B.: Bertold Hummel – in print, Strings/USA, Feb. 1991
Paul Werner Scheele: The oratorio ‘Der Schrein der Märtyrer’ by Bertold Hummel. In: Wolfgang Bullin, Franz Ludwig Ganz (eds.) We Praise You, We Give Thanks … 1,300 Years of the Martyrdom of the Franconian Apostles Kilian, Kolonat and Totnan. Würzburg 1990 (ISBN 3-429-013372-2)
Reclam’s Guide to Organ Music, Stuttgart, by Victor Lukas, Fourth expanded edition, Stuttgart 1963/1979/1992, p. 327
Franz A. Stein: … the honour of being your reviewer! Regensburg 1985, pp. 221/222 (ISBN 3-91114-88-8)
Frank Altmann: Encyclopaedia of Composers. Heinrichshofen’s Verlag, 1978, p. 312.
The Great Encyclopaedia of Music. (Ed. Günther Massenkeil) Herder, Freiburg im Breisgau 1978, Volume 4, p. 140.
Hans Musch (ed.): Music in Worship. A Handbook for Basic Training in Catholic Church Music. Gustav Bosse Verlag, Regensburg, 1975, pp. 386–387
Adrian Gaster: Who’s Who in Music. Cambridge, England, November 1975.
rororo Music Handbook in two volumes (ed. Heinrich Lindlar). Volume 2: Encyclopaedia of Composers. Encyclopaedia of Performers. Publisher: Rowohlt, 1973
Music Encyclopaedia. Riemann, Mainz, 1972, p. 561.
Andreas Boltz: Children’s Pieces and Oratorio. Bertold Hummel was born a hundred years ago. *Musik & Kirche*, September/October 2025, Kassel 2025.
Michael Töpel: Of Angels and Horsemen: Compositions from 1970 onwards with an apocalyptic theme. Musik & Kirche November/December 2023, Kassel 2023, pp. 377–378
Martin Hummel: Bertold Hummel’s Music for Flute. Flöte aktuell 3.2022, pp. 40–44, Frankfurt 2022.
Barbara Stühlmeyer: Scope for Innovation. The ‘Würzburg Cathedral Mass’ and Mass settings by Bertold Hummel. *Die Tagespost*, Würzburg, 5 July 2016.
Joachim Werz: On the Immortality of Music: Bertold Hummel (1925–2002) on his 90th birthday. *Musica sacra*, Regensburg, issue 6/2015, pp. 376–378.
Horst Fischer: From Hüfingen to the World of Music. *Südkurier* No. 183 / DNE / 9 August 2012.
Barbara Stühlmeyer: Canticum novum. Bertold Hummel / Ave Maria op. 97e2, *Musica sacra*, Regensburg, issue 3/2011, pp. 200–201.
Felicitas Steigerwald: “Making Musical Ideas Tangible” – The Composer Bertold Hummel. Flöte aktuell 1.2011, pp. 32–33, Frankfurt 2011.
Ulrich Konrad: Church Music and Sacred Music as Idea and Reality III. *Musica sacra*, Regensburg, Issue 2/2011, pp. 87–91.
Barbara Stühlmeyer: Music as an Apology – The Masses of Bertold Hummel. *Musica sacra*, Regensburg, Issue 6/2010, pp. 375–376.
Anneliese Schürer: On the 5th anniversary of the death of the composer Bertold Hummel. forte 9/2007, p. 8.
Wolfgang Hörlin: Notes on the Interpretation of Bertold Hummel’s Organ Music. *Organ* 1/0, pp. 24–25, Schott Music, Mainz 2007.
Peter Wittrich: *Benedicamus domino* Op. 102 – The crowning achievement of Bertold Hummel’s organ output. *Organ* 1/0, pp. 16–24, Schott Music, Mainz 2007.
Andrea Braun: The composer Bertold Hummel and chamber music. Ensemble – Magazine for Chamber Music, pp. 34–36, Düsseldorf, II/2006.
Wilfried Hiller: Tastenspiele – Bertold Hummel’s piano music (not only) for children. CD booklet accompanying the CD of the same name, Musicaphon M 55716, Klassik Center Kassel, 2006.
Prof. Dr Evangelos Konstantinou: Bertold Hummel and the Greek-German Initiative. *Philia* – a journal for Europe, pp. 246–247, Würzburg, II/2005.
Michael Corßen: The composer Bertold Hummel. ESTA-Nachrichten 51 / March 2004.
Erwin Horn: Bertold Hummel – Patron of Unsung Composers – Otto Jägermeier. University News 2002–2003, Würzburg 2003.
Klaus Wolters: Bertold Hummel: Keyboard Pieces. Revue Musicale Suisse 38 No. 4, April 2003.
Jürgen Libbert: Hermann Hesse and Bertold Hummel. Marking the 125th anniversary of the poet’s birth and the death of the composer. Annual Report 2001/2002, Regensburg College of Catholic Church Music 2002
Obituary: Bertold Hummel. *Der Spiegel* No. 34, Hamburg 2002
Karl Heinz Wahren: In memory of Bertold Hummel. GEMA Nachrichten No. 166 3/2002, Berlin.
Claus Kühnl: Expanding the Classical Order – Bertold Hummel – Composer of the Twentieth Century. Neue Musikzeitung, November 2002.
Dr Thomas Daniel Schlee: In memoriam – In memory of Prof. Bertold Hummel. Annual Report of the Guardini Foundation, Berlin 2002.
Marius Schwemmer: In Memoriam, in: *Musica sacra* 5, 2002, 14.
Markus Reder: The Good News Transformed into Music – Bertold Hummel, one of the most significant contemporary composers, has died. Deutsche Tagespost, 17 August 2002.
Maria Zeidler-Kröll: Bertold Hummel – Keyboard Pieces. Üben & Musizieren, p. 78, 5/2002.
Ernst Oestreicher: A great deal of catching up to do in conveying new sonorities – an interview with Bertold Hummel. Musik zum Lesen 04/2002.
Jörg Hillebrand: Franconian Prophet. Fono Forum 12/2000.
Max McKee: A Versatile Oeuvre – On the Occasion of Bertold Hummel’s 75th Birthday. Clarino 11/2000, p. 12
Werner Häußner: He was nicknamed Palestrina. Die Tagespost No. 142, 28 November 2000.
Werner Häußner: “Music simply has to flow through the mind and body”. Würzburg composer turns 75. Main-Echo, 27 November 2000.
Edward F. Rhein: Bertold Hummel – a life with music. Würzburger katholisches Sonntagsblatt, No. 48, 26 November 2000.
Werner Häußner: A magnificent work – Bertold Hummel’s “Schrein der Märtyrer” in Würzburg. Main-Echo Aschaffenburg, 18 November 2000.
Michael Corßen: Bertold Hummel and the Sonatina, composer profile at the Gütersloh Music School. October 1999.
Thomas Daniel Schlee: German Catholics’ Art and Culture Prize awarded to Petr Eben and Bertold Hummel, *Musica sacra* 1998/04, pp. 362–364
Hans Maier: A Libretto by the Bishop. Rheinischer Merkur, Bonn, 30 May 1997, p. 19.
Marius Linnenborn: A Festival of Church Music in Salzburg. *Musica Sacra*, Regensburg, January–February 1997, pp. 35–38.
Mariusz Dubaj: Prof. Bertold Hummel ‘Saxophone’. Polish Saxophone Association. Lublin, January 1997, pp. 21–28.
Manfred Langendarf: The Composer Bertold Hummel. WOX, Würzburg, December 1996, p. 31.
Jürgen Libbert: On the Appropriateness of Musical Relationships. Gitarre aktuell, Hamburg, January 1996.
Rolf Rudin: ‘My Time with Bertold Hummel’. *Clarino* 12/1995, pp. 13–14
Hubert Velten: ‘Prof. Bertold Hummel on his 70th birthday’. Regensburg Academy of Catholic Church Music and Music Education, Annual Report 1995/96.
Werner Häußner: “I cannot live without composing”. Main-Echo, Aschaffenburg, 27 November 1995.
O. Schmitt-Rosenberger: Committed to the art of the possible. Volksblatt, Würzburg, 25 November 1995.
Otto Strodel: ‘Composer Bertold Hummel turns 70’. Mainpost, Würzburg, 25 November 1995.
Gerd Heymann: A dreamlike sense of certainty. Westdeutsche Allgemeine Zeitung, Dortmund, 1 November 1995
Martin Wetterich: An impressive opening. Volksblatt, Würzburg, 17 October 1995.
Manfred Plate: Questionnaire. *Christ in der Gegenwart*, Freiburg, L Brsg., April 1995, p. 54.
Franzpeter Messmer: Portrait: The composer Bertold Hummel. Neue Musikzeitung, Regensburg, November 1990.
Reinhard Schulz: Notes on Bertold Hummel. Munich Philharmonic (2nd Chamber Concert), Munich 1990, pp. 4–5.
Franzpeter Messmer: ‘The Shrine of the Martyrs’. *Das Orchester*, Mainz, October 1989, p. 985.
Franz A. Stein: The Oratorio of the Century in Würzburg Cathedral. *Musica Sacra*, Regensburg, July–August 1989, pp. 332–334.
Paul Werner Scheele: The oratorio ‘The Shrine of the Martyrs’ by Bertold Hummel, Würzburg Catholic Sunday Newspaper, Würzburg, 18 June 1989
Franz Fleckenstein: Music in Honour of Saint Kilian and His Companions, Würzburg Catholic Sunday Newspaper, Würzburg, 18 June 1989
Karl Schumann: ‘The Timpani of the Last Judgement’. *Süddeutsche Zeitung*, Munich, 11 May 1989.
Silke Zielen: ‘The Vigour of Youth’. *Erlanger Tagblatt*, Erlangen, 10 January 1989.
Karl Georg Rötter: ‘Composer expressed his gratitude with an original score’. *Volksblatt*, Würzburg, 24 November 1988.
Hans Behr: Popular as a composer and teacher. Main-Post, Würzburg, 11 March 1988.
Werner Häußner: ‘Composer and music teacher’. *Volksblatt*, Würzburg, 11 March 1988.
Bertram Turetzky: Music Reviews. Music Library Association. California, USA, March 1988.
Franz Hennevogl: Foreword. University of Music: University Bulletin 1986/87, Würzburg 1987, pp. 5–8.
Hans Behr: The sheer immensity of creative endeavour. Main-Post, Würzburg, 19–20 September 1987.
Bertold Hummel: ‘Composer and Champion: Peter Jona Korn Turns 65 – Between All Styles’. *Die Welt*, Hamburg, March 1987.
Hans Behr: ‘A lost child weeps and catches a firefly’. *Main-Post*, Würzburg, 24 January 1987.
Alfred Rinderspacher: Sheet Music. Das Orchester. Regensburg, July/August 1986.
Marc Rochester: ‘Younger piano’. *Musical Times*. London, June 1986.
Lothar Mattner: “Bertold Hummel”. Neue Zeitschrift für Musik, Mainz, May 1986.
Hubert Leuchtbrink: *Musica Nova*. *Neue Musikzeitung*, Regensburg, April/May 1986.
Fritz Schleicher: ‘Clear as crystal’. Nürnberger Nachrichten, Nuremberg, 19 April 1986
Thomas Emmerig: “…and all its splendour is toil and futility”. Mittelbayerische Zeitung, Regensburg, 23 December 1985.
Michael Klügel: ‘Herald of the End Times’. *Frankfurter Allgemeine Zeitung*, Frankfurt, 18 December 1985.
Franz A. Stein: Bertold Hummel on his sixtieth birthday. *Musica Sacra*, Regensburg, November/December 1985, p. 440.
Werner Häußner: The Joy of Creative Play. Main-Echo, Aschaffenburg, 27 November 1985
Hans Behr: A lovable man, a composer worth listening to. Main-Post, Würzburg, 25 November 1985.
Thea Lethmayer: ‘Between Hope and Nuclear Death’. Ballets by Gottfried von Einem and Bertold Hummel, *Augsburger Allgemeine*, Augsburg, 1–2 May 1984.
Peter Kins: Warnings to humanity – Neue Presse, Augsburg, 4 May 1984.
Klaus Hinrich Stahmer: An extremely lively ‘Methuselah’. Das Orchester, Mainz, February 1984. Fritz Schleicher: Apocalyptic Images. Nürnberger Nachrichten, Nuremberg, 14 November 1983.
Fritz Schleicher: Apocalyptic Images. *Nürnberger Nachrichten*, Nuremberg, 14 November 1983.
Egon Bezold: Outcry and hope. Nürnberger Zeitung, Nuremberg, 14 November 1983
Gerhard Schuhmacher: The German Music Council’s Record Catalogue of Contemporary Music. *Musik und Kirche*, Kassel, March 1982, p. 147.
Joachim Dorfmüller: Concertos for Organ and Orchestra in the 20th Century. *Das Orchester*, 2/1982, pp. 107–110.
Hanns-Wemer Heister: ‘After the Apocalypse of St John’. *Tagesspiegel*, Berlin, 13 June 1980.
Hans Behr: ‘Conservatoire plans to expand its curriculum’, *Main-Post*, Würzburg, 2 February 1980.
Franz Rauhut: Interview with Bertold Hummel, *Neues Europa*, Luxembourg, 1980, p. 29.
Klaus Hinrich Stahmer: Composers in Leadership Roles. Würzburg University of Music 1804–1979. Würzburg, November 1979, p. 19.
Wolfgang Molkow: A variety of wind instruments and a battle of demons. Berliner Festwochen, Berlin, 27 September 1979.
Hans-Jörg von Jena: ‘Faust Scenes’ with a Sense of Musical Effect. *Spandauer Volksblatt*, Berlin, 27 September 1979.
Bertold Hummel: The Meaning of the World in ‘Gotteslob’. Rheinischer Merkur, Bonn, 27 April 1979, 5.19.
Bertold Hummel: On ‘Visions’ for large orchestra based on the Apocalypse of St John the Evangelist by Bertold Hummel. Philharmonische Blätter, Issue No. 8, Berlin, 1979/80, pp. 9–10.
Herbert Glossner: Organ Works. Fono-Forum, Munich, 6 June 1978.
Mary Arm Campbell: ‘Composers applauded following world premieres’. The Mail Tribune. Oregon, USA, 10 April 1978.
Eberhard Kraus: *Musica Sacra*. Regensburg, January 1978, pp. 138–139, 161
Bertold Hummel: ‘Getting to Know the Mindset’. In: ‘How Do Composers Find Young Performers? Initial Responses to Erich Doflein’s Essay in NMZ 5/76’. Neue Musik-Zeitung, Regensburg, December 1976–January 1977, p. 9.
Klaus Linsenmeyer: ‘Compositions by Bertold Hummel’. *Volksblatt*, Würzburg, 10 December 1977.
Gotthard Schmidtke: “A Captivating Finale to the Festive Days”. Braunschweiger Zeitung, Braunschweig, 1 December 1975.
Bernd Seydel: Based on a painting by Hans Thoma. *Main-Post*, Würzburg, 28 July 1975.
Helmut Fritsch: A successful venture with *The Last Flower*. *Main-Echo*, Aschaffenburg, 7 May 1975.
Udo Schirmbeck: Symphonic detours. *Das Orchester*, Mainz, February 1975.
Karl Hahn: World premiere with surprises. Hofer Anzeiger/Frankenpost, Hof, 2 February 1975.
Franz A. Stein: ‘Reverenza’ by Bertold Hummel. Deutsche Tagespost, Würzburg, 9 October 1974.
Klaus Hinrich Stahmer: Thirteen Strings in the Goldsaal. *Melos*, Mainz, February 1974, Vol. 41, pp. 48/49/109.
Margrit Leue: Hummel’s “Contraste for Strings”. Mainzer Allgemeine Zeitung, Mainz, 30 October 1973.
Klaus Hinrich Stahmer: “Sound Experiments by Bertold Hummel”. Neue Musik-Zeitung, Regensburg, March/April 1972.
Bachtage 1971. *Neue Zeitschrift für Musik*, Mainz, January 1972.
Helmut Fritsch: “Bach, the Roots and the Fruits”. Main-Echo, Aschaffenburg, 30 November 1971.
W. Hambach: ‘A valuable new psalm composition’. *Flensburger Tageblatt*, Flensburg, 26 May 1970.
Alois Keck: ‘… it really is a fantastic thing’. *Volksblatt*, Würzburg, 5 December 1967.
A. Meyer: “Würzburg Cathedral Mass”. Main-Post, Würzburg, 8 May 1967.
A. Meyer: Festive music. *Badische Zeitung*, Freiburg, 7 April 1966.
Dieter Schorr: ‘Moderate avant-garde’. *Stuttgarter Zeitung*, Stuttgart, 2 April 1962
Haass: ‘Contemporary Music Resounded’. Rheinische Post, Düsseldorf, 22 August 1959.
SUZ.: ‘The Emperor’s New Clothes’ set to music. Mannheimer-Morgen, Mannheim, 22 July 1957.
Hanns Reich: Recording number 1000. *Badische Zeitung*, Freiburg, 8 September 1956.
Broesike-Schoen: Organ music at St Johannis. *Hamburger Abendblatt*, Hamburg, 29 October 1953.
Hanns Reich: Church music in the cathedral, *Badische Zeitung*, 31 October 1952
Herbert Barth: *Musikalische Jugend*, Nos. 5–8. Bayreuth, January 1951, p. 10.