Glory to God (Gloria) (1972)
Motet for four-part mixed choir a cappella
Four-part mixed choir a cappella
Duration: 5 minutes
Würzburg Cathedral Choir | Siegfried Koesler
Title: "Glory to God" (Gloria) - Length: 8 pages / 12 pages - Date: 9 June 1972 / New version: 31 July 72 - Location:
Schott Music C 54677 / ISMN: 979-0-001-18011-5
Ehre sei Gott in der Höhe
und Friede auf Erden den Menschen seiner Gnade.
Wir loben dich, wir preisen dich, wir beten dich an,
wir rühmen dich und danken dir,
denn groß ist deine Herrlichkeit.
Herr und Gott, König des Himmels,
Gott und Vater, Herrscher über das All,
Herr, eingeborener Sohn, Jesus Christus,
Herr und Gott, Lamm Gottes, Sohn des Vaters,
du nimmst hinweg die Sünden der Welt,
erbarme dich unser.
Du nimmst hinweg die Sünden der Welt,
nimm an unser Gebet,
du sitzest zur Rechten des Vaters,
erbarme dich unser.
Denn du allein bist der Heilige, du allein der Herr,
du allein der Höchste, Jesus Christus,
mit dem Heiligen Geiste zur Ehre Gottes des Vaters.
Amen.
Glory to God in the highest,
and peace on earth to men of good will.
We praise you, we bless you, we worship you,
we glorify you and give thanks to you
because of your great glory.
Lord and God, heavenly king,
God and Father, ruler over the world,
Lord, the only begotten Son, Jesus Christ.
Lord God, Lamb of God, Son of the Father,
you take away the sins of the world,
have mercy upon us.
You take away the sins of the world,
receive our prayer,
You are seated at the right hand of the Father,
have mercy upon us.
For you alone are the Holy One, you alone are the Lord,
you alone are the Most High, Jesus, the Christ,
with the Holy Spirit, in the glory of God the Father.
Amen.
Just as the early Dutch and later Monteverdi and Vivaldi composed a solemn "Gloria " for festive occasions in the early Baroque period, Bertold Hummel created a festive "German Gloria" for today. The work, which is just over 5 minutes long, shows all the advantages of modern choral music, is easy to rehearse and can be used for mass and as a hymn for the Liturgy of the Hours, for services of the word and in concerts.
Christmas Christmas music Liturgical music Liturgical music in the church year Liturgical vocal music Motet Motet Vocal work
Just a few years after the Second Vatican Council, when it became possible to celebrate the Catholic Mass in the respective national languages, Bertold Hummel wrote his motet "Ehre sei Gott" for four-part mixed choir. It is a "German Gloria", meaning that its text follows the second part of the Mass Ordinary between the Kyrie and Credo. It can be incorporated liturgically into a mass, just as Bertold Hummel never spurned writing music for church use and also for lay people. His German Gloria begins quickly and joyfully in a swinging three-quarter metre and quickly rises to fortissimo before switching to piano and three-half metre for the words "And peace on earth". In his composition, Hummel follows the models of the tradition: the contrasting text is almost formed movement by movement with new musical ideas in each case. The voices are led independently in the old motet style, sometimes coupled together in alternating pairs.
(from the programme of the Usedom Music Festival 2008)
Foreword (Schott Music)
After the Second Vatican Council also permitted the Catholic Mass to be celebrated in the vernacular. Bertold Hummel was one of the first composers in Germany to take advantage of this new opportunity and composed a Great Mass for solo voices, choir, congregation and orchestra in 1967 to mark the re-opening of the Cathedral in Würzburg.
This Glory to God for four-part mixed choir composed in 1972 also exudes this same spirit of optimism in the Catholic Church. Hummel's work not only displays the composer 's own inimitable tonal language, but is also quite naturally orientated to motet compositions of the old masters, exploiting part-writing, changes of tempo and dynamics to the full to produce a spirited interpretation of the text. This composition has a place within the liturgy as the second part of the Ordinary ot the Mass ("Gloria in excelsis Deo") and is additionally suitable tor Inclusion in sacred choral concerts with its vibrant praise ot God.
Martin Hummel 2012