commentary to Ave Maria | |
|
Ave Maria for voice and organ (piano) or string quartet (1982)
Martin Hummel / Christoph Weinhart Dedication: for Martin Duration:
2 minutes Version with Organ: ED 22259 / ISMN: 979-0-001-20326-5 Version with string quartet: ED 22542 / ISMN 979-0-001-16067-4 bella musica Video: Works by Hummel on youtube Bertold Hummel composed this Ave Maria for his son Martin who performed the work accompanied by the family string quartet as testified by a surviving viola part. This part contains an outline of the first 16 bars to be used as a prelude. The bipartite composition links a major/minor tonality with an affinity to thirds and modal harmony. The dominating element of the accompaniment is a descending Phrygian scale which changes direction during the course of the work and undergoes additional transformations into the Doric mode and a minor key. The second section (“Sancta Maria...”) returns to the music from the beginning of the piece, subsequently leading into new combinations of the musical material. Christoph Weinhart 2015 Ave
Maria Ave
Maria, gratia plena, Translation: Hail,
Mary, full of grace,
See also: Christmas Music by Bertold Hummel |